Monday, May 25, 2015

Walt Whitman -. Specimen Days 61. Hospital Scenes—Incidents

  
IT is Sunday afternoon, middle of summer, hot and oppressive, and very silent through the ward. I am taking care of a critical case, now lying in a half lethargy. Near where I sit is a suffering rebel, from the 8th Louisiana; his name is Irving. He has been here a long time, badly wounded, and lately had his leg amputated; it is not doing very well. Right opposite me is a sick soldier-boy, laid down with his clothes on, sleeping, looking much wasted, his pallid face on his arm. I see by the yellow trimming on his jacket that he is a cavalry boy. I step softly over and find by his card that he is named William Cone, of the 1st Maine cavalry, and his folks live in Skowhegan.    
 
 Ice Cream Treat.—One hot day toward the middle of June, I gave the inmates of Carver hospital a general ice cream treat, purchasing a large quantity, and, under convoy of the doctor or head nurse, going around personally through the wards to see to its distribution.    

  An Incident.—In one of the fights before Atlanta, a rebel soldier, of large size, evidently a young man, was mortally wounded top of the head, so that the brains partially exuded. He lived three days, lying on his back on the spot where he first dropt. He dug with his heel in the ground during that time a hole big enough to put in a couple of ordinary knapsacks. He just lay there in the open air, and with little intermission kept his heel going night and day. Some of our soldiers then moved him to a house, but he died in a few minutes.    

  Another.—After the battles at Columbia, Tennessee, where we repuls’d about a score of vehement rebel charges, they left a great many wounded on the ground, mostly within our range. Whenever any of these wounded attempted to move away by any means, generally by crawling off, our men without exception brought them down by a bullet. They let none crawl away, no matter what his condition.

1 comment:

  1. There is a beautiful lament in "The Airborne Symphony" by Marc Blitzstein, in a passage concerning airplanes in war, and citing the bombing of cities in WWII. The lament refers to cities, but might as well refer to the dead in any war. The chorus sings, simply and plaintively: "Call the names. Call the names. Call the names."

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