1973
This is one of most fun pieces of sound collage I know of. From the CRI album of music by Lesbian American Composers.
Update:
Vladimir Ussachevsky Sonic Contours 1952
The piece was created in Arturo Toscannini's personal recording studio, in collaboration with his personal technician, David Sarser aiding Ussachevsky.
I love those early electronic pieces, makes me nostalgic for when I had a job at a really primitive patch cord and tape deck music studio when I was in college. But not that far back. None of my pieces I made then survive, which is probably just as well. One sampled Washboard Sam from an old recording. I wanted some more sound so I stole the door off a locker and rubbed a stick against the ventilation slits to try to get the same rhythm with a different sound. Didn't work the way I'd planned it, I didn't know that Washboard Sam had fitted his board with a wheel with a sort of reed on it that made his unique signature sound.
Haven't done any more with the medium but I did learn how to edit reel to reel tape with a demagnetized razor blade and paper tape. Which was also good for inserting silence into a piece, really useful if you had to add a few seconds here and there to meet the time requirement for an assignment. I did one that I called Zebra 36. No idea what happened to those tapes. I don't have anything to play them on, anyway. I wasn't big on the synthesizer when they introduced it. An Arp, as I recall. It sounded awful. All the students pieces on it sounded like music to introduce the 6 O'clock news.
Got to watch out, nostalgia is a trap.
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