"It seems to me that to organize on the basis of feeding people or righting social injustice and all that is very valuable. But to rally people around the idea of modernism, modernity, or something is simply silly. I mean, I don't know what kind of a cause that is, to be up to date. I think it ultimately leads to fashion and snobbery and I'm against it." Jack Levine: January 3, 1915 – November 8, 2010 LEVEL BILLIONAIRES OUT OF EXISTENCE
Friday, July 20, 2012
Thursday, July 19, 2012
Wednesday, July 18, 2012
Tuesday, July 17, 2012
Max Reger - Blatter und Bluten
This will get you to the first one, all twelve are on YouTube and worth listening to. Reger's music might almost remind you of other composers but there is an unmistakable voice that is uniquely his own.
Max Reger: Träume am Kamin 2. Con moto
Max Reger was, as Schoenberg said, a genius. Why his music has fallen into relative obscurity as lesser music has flourished is interesting. The great organist and humanitarian, Albert Schweitzer attributed that to the two wars. Maybe it's time people took another listen.
Saturday, July 14, 2012
Friday, July 13, 2012
Thursday, July 12, 2012
NTodd Vindicated: Steve Simels Again Exposed as a Sock Puppeteer
Note: As I suspected it would be, the comment thread at Hullabaloo has been altered to remove much of the content below, I assume by Digby, the owner. If a blogger is going to knowingly allow blog trolls using pseudonyms on their blogs, after they have been exposed, leaving them to attack people under multiple identities, they can hardly expect people to keep reading their blogs. Steve Simels is a malignant presence on several blogs, a proven, serial sock puppet who attacks people under multiple names. Any blogger who aspires to do something useful should take that into account as should people choosing which blogs to follow. Digby now knows, beyond doubt, that Steve Simels has been using sock puppets on her blog. Taking down the evidence exposing that from her blog leaves it vulnerable to having him do it without being exposed. That means that her blog is known to be less credible today than it was could have been believed to be yesterday. She should seriously consider if that is something she wants.
NTodd provided a link confirming what is, apparently, no longer available as the original Eschaton HaloScan threads aren't up anymore.
Blog lore has it that Steve Simels was exposed years ago at Eschaton blog as a troll hiding behind sock puppets by NTodd. In the intervening years people have occasionally mentioned the incident only to have Simels deny it, accusing NTodd of making it up (as recently as a couple of weeks ago at Eschaton when Gomez brought it up). The other day I noticed what I thought was an interesting coincidence in the comments at Hullabaloo which led to me clicking on Simels' name to see what would happen. What I found out was confirmation that NTodd told the truth all those years ago.
From a Comment Thread at Hullaballoo
Anthony McCarthy
I've got no problem with the non-charitable, profit generating activities of religion being taxed, assuming that by "charitable" is meant giving aid and support to poor folks, the ill, the destitute, the ill... And I'm getting increasingly fed up with judges, legislators, regulators who pretend not to be able to make those kinds of distinctions.
I also have no problem pointing out that there are numerous anti-religious and atheist organizations that enjoy tax exemption as well as political organizations that clearly violate that status on behalf of the filthy rich. Why this kind of ire is focused, indiscriminately, against religion, including many legitimately charitable entities, at times can count as irrational hatred instead of a legitimate point. Pretending to not see things isn't limited to the judges.
Today, 07:04:07 – Reply – Delete
Steve Simels
You, of all people, should know the difference between a religion and a cult, Sparky.
About a million members.
Today, 10:12:51 – Flag – Reply
Anthony McCarthy
Click on Steve Simels' name above his comment. A box pops up. Click on the tab that says “view details” in the box. Find out that Steve Simels posts comments under an account owned by “Lubypaulanka”, remembering that Steve Simels is a hack pop-music scribbler who has written about Paul Anka. Draw the logical conclusion, remembering that Simels was exposed as a sock puppet master at Eschaton years ago, something he denies to this day.
Today, 10:22:46 – Reply – Delete
Steve Simels
I post as Lubypaulanka when I want to say general shit about stuff.
I post as me when I want to insult you.
Deal with it.
Today, 10:38:59 – Flag – Reply
Steve Simels
Also, I've never written a word about Paul Anka.
Today, 10:39:32 – Flag – Reply
Anthony McCarthy
Snicker if you will, but if there's a better look at the star-making machinery and the price of fame than this cinema verité portrait of teen idol Paul Anka back in the day then I, for one, haven't seen it.
Posted by steve simels at 8:41 AM
http://powerpop.blogspot.com/2011/02/weekend-cinema-listomania-special.html
Today, 11:17:51 – Reply – Delete
Anthony McCarthy
Here's more proof, if any is still needed, that YouTube is the greatest contribution to Western Culture since the Library at Alexandria -- the first two sections of the rarely seen but utterly fascinating (and influential) 1962 cinema verité documentary Lonely Boy. (The melancholy youth of the title, of course, is Paul Anka, the then teen idol and future auteur of "You're Having My Baby." )
http://www.boxoffice.com/the_steve_simels_show/2009-03-young-man-blues
Today, 11:20:15 – Reply – Delete
rea
You mean he really did write a couple of paragraphs about Paul Anka? How shocking!!
Today, 12:25:55 – Flag – Reply
Anthony McCarthy
He lied about not having written about Paul Anka, recycling himself to do it. And I haven't bothered to go back through Stereo Review. Not to mention this is at least the second time he's been exposed as using sock puppets in blog comments, something he's denied doing that for about six years that I know about.
I'm not shocked, but, then, I've seen him at work for longer than that. And it is me he's trolling here.
Today, 12:29:38 – Reply – Delete
Steve Simels
Oh, and I'm supposed to have the time to go through back issues just because you made an asinine point about a dipshit pop singer? Who remembers, and who cares except a crackpot paranoid like you.
BTW, I truly appreciate your shoutouts at that crappy blog you maintain. I think it's called "ME (ANTHONY MCCARTHY) AGAINST ALL THE LIARS AND PHONIES IN THE WORLD." Kudos!!!
Today, 12:59:26 – Flag – Reply
Anthony McCarthy
Anyone who wants to could, I guess, look at your stuff and at mine to see who is more self-referential.
As it stands, Steve, you've beenm again, exposed sock puppeting, something you've denied you do over and over again since you were exposed as doing it years ago on Eschaton. You're the one who chose to post comments under the name "Lubypaulanka". If you'd chosen something literate I might not have checked. That's why I doubt that Rea is another of your puppets, though she might want to check to see when St. Thomas Moore and Wm. Tyndale died. You can't trust the Anglican propaganda in the tradition of Foxx for historical accuracy.
Today, 13:12:44 – Reply – Delete
Steve Simels
You know what -- I'll start posting as Slutty Jewish Girl again. That'll fool everybody, even you.
Today, 13:18:49 – Flag – Reply
Anthony McCarthy
The only way you could fool me is you stopped being a dishonest ass.
I'm posting this exchange on my blog, in case it gets taken down here.
Slutty Jewish Girl
Wow. That'll guarantee it will be seen by the masses.
Today, 14:03:09 – Flag – Reply
Anthony McCarthy
You can lead a bore to culture but you can't make him think.
Slutty Jewish Girl
Anthony's a crackpot who refuses to admit his suggestion that the Jews of Israel just abandon their historic homeland and move to Arizona -- yup, Arizona -- is deeply offensive.
Until he does, I'm on him like a cheap suit.
Today, 14:47:26 – Flag – Reply
Anthony McCarthy
As can be seen here, Steve Simels is a proven, habitual, liar who has been distorting what I said since shortly after I answered his anti-Roma snark:
And while we're at it, the Gypsies need a homeland too.
I think there's an abandoned shopping mall in Jersey they could have.
http://zthoughtcriminal.blogspot.com/2012/06/when-charge-of-antisemitism-is-tactical.html
You can read what I actually said, along with truly antisemetic remarks that Steve's buddies made, to no objection from him, at the link.
NTodd was telling the truth, Simels, you've been lying about being a sock puppet troll for years.
Today, 15:16:13 – Reply – Delete
----------------
And later on the same thread, Steve's girl friend joined in, if she's not just another sock puppet, that is. That's the problem with someone known to do this, you can't be certain.
Brooklyn Girl
Oh, I see Anthony is up to his usual tricks. "I'M GOING TO POST THIS ON MY SHITTY BLOG FOR ALL THE WORLD TO SEE!!!!"
Except nobody gives a damn.
And, now going back on topic, it is time for religious institutions to lose their tax-exempt status. Unless they are willing to just shut up once and for all about any political issue and mind their own damn business.
Today, 14:54:29 – Flag – Reply
Anthony McCarthy
Steve's girlfriend.
Today, 15:19:44 – Reply – Delete
Slutty Jewish Girl
Blow me.
Today, 15:34:50 – Flag – Reply
Anthony McCarthy
Unlike you I can't be bought and I certainly can't be bored.
Today, 15:39:54 – Reply – Delete
UPDATE: NTodd has provided further information about his research that exposed Simels and others at Eschaton. His commentary on the topic is very good and should be read again. Maybe this time it will be taken more seriously.
Steve Simels has changed his tactics and is now trolling me as "Slutty Jewish Girl", I'd guess it's what he and his pals consider intellectually daring and kewl. No doubt he's still trolling other places under other names. The guy is a wart on the ass of leftish blogging.
Further Update September 20th, 2012: Simels seems to be up to it again, denying he got caught and, I strongly suspect, posting attacks under other names, covering his tracks, now that he's been caught the way he was above. So, if you see something like this being done, you're within your rights to suspect it's just Steve Simels on a day after a Cialis failure or someone pointing out he's recycled the same old column about the mop heads or the stones that was first recycled by someone else c. 1967.
NTodd provided a link confirming what is, apparently, no longer available as the original Eschaton HaloScan threads aren't up anymore.
Blog lore has it that Steve Simels was exposed years ago at Eschaton blog as a troll hiding behind sock puppets by NTodd. In the intervening years people have occasionally mentioned the incident only to have Simels deny it, accusing NTodd of making it up (as recently as a couple of weeks ago at Eschaton when Gomez brought it up). The other day I noticed what I thought was an interesting coincidence in the comments at Hullabaloo which led to me clicking on Simels' name to see what would happen. What I found out was confirmation that NTodd told the truth all those years ago.
From a Comment Thread at Hullaballoo
Anthony McCarthy
I've got no problem with the non-charitable, profit generating activities of religion being taxed, assuming that by "charitable" is meant giving aid and support to poor folks, the ill, the destitute, the ill... And I'm getting increasingly fed up with judges, legislators, regulators who pretend not to be able to make those kinds of distinctions.
I also have no problem pointing out that there are numerous anti-religious and atheist organizations that enjoy tax exemption as well as political organizations that clearly violate that status on behalf of the filthy rich. Why this kind of ire is focused, indiscriminately, against religion, including many legitimately charitable entities, at times can count as irrational hatred instead of a legitimate point. Pretending to not see things isn't limited to the judges.
Today, 07:04:07 – Reply – Delete
Steve Simels
You, of all people, should know the difference between a religion and a cult, Sparky.
About a million members.
Today, 10:12:51 – Flag – Reply
Anthony McCarthy
Click on Steve Simels' name above his comment. A box pops up. Click on the tab that says “view details” in the box. Find out that Steve Simels posts comments under an account owned by “Lubypaulanka”, remembering that Steve Simels is a hack pop-music scribbler who has written about Paul Anka. Draw the logical conclusion, remembering that Simels was exposed as a sock puppet master at Eschaton years ago, something he denies to this day.
Today, 10:22:46 – Reply – Delete
Steve Simels
I post as Lubypaulanka when I want to say general shit about stuff.
I post as me when I want to insult you.
Deal with it.
Today, 10:38:59 – Flag – Reply
Steve Simels
Also, I've never written a word about Paul Anka.
Today, 10:39:32 – Flag – Reply
Anthony McCarthy
Snicker if you will, but if there's a better look at the star-making machinery and the price of fame than this cinema verité portrait of teen idol Paul Anka back in the day then I, for one, haven't seen it.
Posted by steve simels at 8:41 AM
http://powerpop.blogspot.com/2011/02/weekend-cinema-listomania-special.html
Today, 11:17:51 – Reply – Delete
Anthony McCarthy
Here's more proof, if any is still needed, that YouTube is the greatest contribution to Western Culture since the Library at Alexandria -- the first two sections of the rarely seen but utterly fascinating (and influential) 1962 cinema verité documentary Lonely Boy. (The melancholy youth of the title, of course, is Paul Anka, the then teen idol and future auteur of "You're Having My Baby." )
http://www.boxoffice.com/the_steve_simels_show/2009-03-young-man-blues
Today, 11:20:15 – Reply – Delete
rea
You mean he really did write a couple of paragraphs about Paul Anka? How shocking!!
Today, 12:25:55 – Flag – Reply
Anthony McCarthy
He lied about not having written about Paul Anka, recycling himself to do it. And I haven't bothered to go back through Stereo Review. Not to mention this is at least the second time he's been exposed as using sock puppets in blog comments, something he's denied doing that for about six years that I know about.
I'm not shocked, but, then, I've seen him at work for longer than that. And it is me he's trolling here.
Today, 12:29:38 – Reply – Delete
Steve Simels
Oh, and I'm supposed to have the time to go through back issues just because you made an asinine point about a dipshit pop singer? Who remembers, and who cares except a crackpot paranoid like you.
BTW, I truly appreciate your shoutouts at that crappy blog you maintain. I think it's called "ME (ANTHONY MCCARTHY) AGAINST ALL THE LIARS AND PHONIES IN THE WORLD." Kudos!!!
Today, 12:59:26 – Flag – Reply
Anthony McCarthy
Anyone who wants to could, I guess, look at your stuff and at mine to see who is more self-referential.
As it stands, Steve, you've beenm again, exposed sock puppeting, something you've denied you do over and over again since you were exposed as doing it years ago on Eschaton. You're the one who chose to post comments under the name "Lubypaulanka". If you'd chosen something literate I might not have checked. That's why I doubt that Rea is another of your puppets, though she might want to check to see when St. Thomas Moore and Wm. Tyndale died. You can't trust the Anglican propaganda in the tradition of Foxx for historical accuracy.
Today, 13:12:44 – Reply – Delete
Steve Simels
You know what -- I'll start posting as Slutty Jewish Girl again. That'll fool everybody, even you.
Today, 13:18:49 – Flag – Reply
Anthony McCarthy
The only way you could fool me is you stopped being a dishonest ass.
I'm posting this exchange on my blog, in case it gets taken down here.
Slutty Jewish Girl
Wow. That'll guarantee it will be seen by the masses.
Today, 14:03:09 – Flag – Reply
Anthony McCarthy
You can lead a bore to culture but you can't make him think.
Slutty Jewish Girl
Anthony's a crackpot who refuses to admit his suggestion that the Jews of Israel just abandon their historic homeland and move to Arizona -- yup, Arizona -- is deeply offensive.
Until he does, I'm on him like a cheap suit.
Today, 14:47:26 – Flag – Reply
Anthony McCarthy
As can be seen here, Steve Simels is a proven, habitual, liar who has been distorting what I said since shortly after I answered his anti-Roma snark:
And while we're at it, the Gypsies need a homeland too.
I think there's an abandoned shopping mall in Jersey they could have.
http://zthoughtcriminal.blogspot.com/2012/06/when-charge-of-antisemitism-is-tactical.html
You can read what I actually said, along with truly antisemetic remarks that Steve's buddies made, to no objection from him, at the link.
NTodd was telling the truth, Simels, you've been lying about being a sock puppet troll for years.
Today, 15:16:13 – Reply – Delete
----------------
And later on the same thread, Steve's girl friend joined in, if she's not just another sock puppet, that is. That's the problem with someone known to do this, you can't be certain.
Brooklyn Girl
Oh, I see Anthony is up to his usual tricks. "I'M GOING TO POST THIS ON MY SHITTY BLOG FOR ALL THE WORLD TO SEE!!!!"
Except nobody gives a damn.
And, now going back on topic, it is time for religious institutions to lose their tax-exempt status. Unless they are willing to just shut up once and for all about any political issue and mind their own damn business.
Today, 14:54:29 – Flag – Reply
Anthony McCarthy
Steve's girlfriend.
Today, 15:19:44 – Reply – Delete
Slutty Jewish Girl
Blow me.
Today, 15:34:50 – Flag – Reply
Anthony McCarthy
Unlike you I can't be bought and I certainly can't be bored.
Today, 15:39:54 – Reply – Delete
UPDATE: NTodd has provided further information about his research that exposed Simels and others at Eschaton. His commentary on the topic is very good and should be read again. Maybe this time it will be taken more seriously.
Steve Simels has changed his tactics and is now trolling me as "Slutty Jewish Girl", I'd guess it's what he and his pals consider intellectually daring and kewl. No doubt he's still trolling other places under other names. The guy is a wart on the ass of leftish blogging.
Further Update September 20th, 2012: Simels seems to be up to it again, denying he got caught and, I strongly suspect, posting attacks under other names, covering his tracks, now that he's been caught the way he was above. So, if you see something like this being done, you're within your rights to suspect it's just Steve Simels on a day after a Cialis failure or someone pointing out he's recycled the same old column about the mop heads or the stones that was first recycled by someone else c. 1967.
Friday, July 6, 2012
Two Days AH (after Higgs) And What?
It's been pretty funny watching the attention of blog atheistdom going on from the brief Higgs boson excitement of just two days ago. Beginning with the bizarrely held idea that, somehow, the Higgs belonged to atheists, that it was a confirmation of their ideology and the other bizarre idea that religious folk would be perturbed by its discovery and continuing to the inevitable loss of collective interest in the topic. I've been tempted to quiz the atheists on the political blogs who were all caught up in the Higgs hype to name the last three subatomic particles that got a similar amount of razzle dazzle. Only the few with a knowledge of that branch of physics among them would skew the results, making that an ineffective measure of how devoted to science the self-appointed Sci-rangers really are.
I've never encountered an atheist who understood the most basic concept of the belief in God the creator. God created the entire universe, every last part of it, including the subatomic particles, everything. Anyone who believes that would believe that whatever science can discover about the physical universe is merely a description of something about God's universe. That concept is, literally, the first recorded religious idea in the Jewish scriptures, that God created the heavens and the Earth, the stars the sun, everything. If you believe that then all science can tell you about it is some of the details of how it was done and what it looks like at higher resolution.
Science can tell you nothing about the idea that God created the universe, though some of those who invented science, Galileo, Descartes, Newton, believed that their discoveries were revelations of God's action in the universe. I think they were a bit optimistic as the subsequent culture of science tended more and more towards materialism, blinded by the impressiveness of the discoveries of their methods. It's really not surprising, though, that, as the difficulties of finding what they wanted to rose, taking up more attention and time, more dedicated preparatory study in mathematics and the physical universe, the habits of thought developed by scientists would lead to an ideological materialism and, so, atheism. The oddest thing about that must be that, as they focused on narrower and narrower aspects of the universe and human experience, that so many scientists mistook their narrow view as being ever more macrocosmic. That can only be done by ignoring, not only the possibility of God, but the actual validity of non-scientific, human experience. That has been done by asserting that all of the universe, all of human experience is reducible to physical law when there is absolutely no evidence of that being true. That assertion is typical of atheism, you get the most extreme reaction from atheists when you point out the real problems of that faith in promissory materialism.
to be continued.
I've never encountered an atheist who understood the most basic concept of the belief in God the creator. God created the entire universe, every last part of it, including the subatomic particles, everything. Anyone who believes that would believe that whatever science can discover about the physical universe is merely a description of something about God's universe. That concept is, literally, the first recorded religious idea in the Jewish scriptures, that God created the heavens and the Earth, the stars the sun, everything. If you believe that then all science can tell you about it is some of the details of how it was done and what it looks like at higher resolution.
Science can tell you nothing about the idea that God created the universe, though some of those who invented science, Galileo, Descartes, Newton, believed that their discoveries were revelations of God's action in the universe. I think they were a bit optimistic as the subsequent culture of science tended more and more towards materialism, blinded by the impressiveness of the discoveries of their methods. It's really not surprising, though, that, as the difficulties of finding what they wanted to rose, taking up more attention and time, more dedicated preparatory study in mathematics and the physical universe, the habits of thought developed by scientists would lead to an ideological materialism and, so, atheism. The oddest thing about that must be that, as they focused on narrower and narrower aspects of the universe and human experience, that so many scientists mistook their narrow view as being ever more macrocosmic. That can only be done by ignoring, not only the possibility of God, but the actual validity of non-scientific, human experience. That has been done by asserting that all of the universe, all of human experience is reducible to physical law when there is absolutely no evidence of that being true. That assertion is typical of atheism, you get the most extreme reaction from atheists when you point out the real problems of that faith in promissory materialism.
to be continued.
Wednesday, July 4, 2012
Doesn't it Make Your Heart Bleed?
"Cern should really build a larger auditorium. The present one is nice and cosy, but it is embarrassing and sad to see many distinguished colleagues queueing up at five in the morning knowing that they have a slim chance to get a seat, after working for 20 years on finding the Higgs boson,said Dorigo (a scientist on the CMS experimental team at Cern)."
Well, that's gratitude for you. The thing cost 8 Billion dollars (that they'd admitted to the last time I looked) and who knows how much to operate. You've got to wonder how much of that came out of Dorigo's, Higgs' and the other "many distinguished colleagues" pockets.
It's a subatomic particle, for Pete's sake, it's not the solution to global warming or hunger. I'd like to see a list of practical benefits to living beings that have come out of the quest for the last three or four subatomic particles and an honest estimate at the cost.
Well, that's gratitude for you. The thing cost 8 Billion dollars (that they'd admitted to the last time I looked) and who knows how much to operate. You've got to wonder how much of that came out of Dorigo's, Higgs' and the other "many distinguished colleagues" pockets.
It's a subatomic particle, for Pete's sake, it's not the solution to global warming or hunger. I'd like to see a list of practical benefits to living beings that have come out of the quest for the last three or four subatomic particles and an honest estimate at the cost.
Sunday, July 1, 2012
Sunday, June 24, 2012
Arnold Schoenberg Kol Nidre
Rabbi:
The Kabalah tells a legend:
At the beginning God said: "Let There Be Light."
Out of space a flame burst out.
God crushed that light to atoms.
Myriads of sparks are hidden in our world, but
not all of us behold them.
The selfglorious, who walks arrogantly upright,
will never perceive one;
but the meek and modest, eyes downcast,
he sees it.
"A light is sown for the pious."
Bischiwo Schel Malo Uwischiwo Schel Mato
In the name of God!
We solemnly proclaim
that every transgressor,
be it that he was unfaithful to Our People be-
cause of fear,
or mislead by false doctrines of any kind,
out of weakness or greed:
we give him leave
to be one with us in prayer tonight,
A light is sown for the pious, a light is sown for
the repenting sinner.
(Kol Nidre)
All vows, oaths, promises and plights of any
kind,
wherewith we pledged ourselves
counter to our inherited faith in God,
who is One, Everlasting, Unseen, Unfathomable,
we declare these null and void.
We repent that these obligations have estranged
us from the sacred task we were chosen for.
Chor:
We repent.
Rabbi:
We repent.
We shall strive from this day of atonement till
the next
to avoid such and similar obligation,
so that the Yom Kippur to follow
may come to us for good.
Chor:
All vows and oaths and promises and plights of
any kind
(etc.)
may come to us for good.
Rabbi + Choir:
Whatever binds us to falsehood
may be absolved, released, annulled, made void
and of no power.
Chor:
Hence all such vows shall be no vows,
and all such bonds shall be no bonds,
all such oaths shall be not oaths.
We repent.
Null and void be our vows.
We repent them.
A light is sown for the sinner.
Rabbi:
We give him leave to be one with us in prayer
tonight.
Chor:
We repent.
Wednesday, June 20, 2012
Has Jerry Coyne Gone Nuts?
In my posts earlier this year I addressed Jerry Coyne's attack against the most basic foundations of democracy and liberalism, not that one is supposed to notice those are casualties of following his 18th century materialism to its necessary conclusions.
Since there are so many more important things than you can get to in one lifetime, I don't follow Coyne's blog very closely. I'd long ago figured he was often marginally rational when not firmly fixed on his narrow topic of professional discipline or under the eye of an editor, I didn't look to him as a source of science news or rational thinking.
I'd missed Coyne's attacks on James A. Shapiro earlier this year until I happened on it when recently dipping into the crazy soup that his blog is. You can judge for yourself it's accuracy but you should read what Shapiro actually said and his response to Coyne's out of control attacks. As with so much of what Coyne writes when he's free to say just what he thinks, Shapiro gives him about as much of a benefit of the doubt as is possible when he says:
Jerry, I think you need to do better next time. Please address my real arguments, not your own mischaracterizations.
But the problem with blogging, as can be seen in Coyne's comment threads, is that a blogger like Coyne doesn't appeal to a wider group that will provide an honest review and come up with something less biased, he appeals to his fellow ideologues, many of whom haven't got the slightest idea what the issues are. His blog, as so many "science blogs" use the social status of science to present ideological propaganda and attacks as a more reliable truth. Some others are as ideological but I'm not aware of any other widely read science blogger who more consistently misrepresents his adversaries in a way that makes me wonder at the emotional stability of the blogger.
I think it's time to ask if Jerry Coyne isn't just plain nuts. As his blog goes on, he reminds me ever more of Glenn Beck.
UPDATE: I withdraw the question, having looked around his blog the last couple of days, he's totally nuts. His fans don't care that he's raving. I'm aware that the standards of atheist thinking are as unconcerned with accuracy, rational coherence and fidelity to real life as that of your typical tea party oriented site. It is morbidly fascinating to me how many figures in science, popularly regarded as the high church of reason and sanity, are so obviously cracked.
Since there are so many more important things than you can get to in one lifetime, I don't follow Coyne's blog very closely. I'd long ago figured he was often marginally rational when not firmly fixed on his narrow topic of professional discipline or under the eye of an editor, I didn't look to him as a source of science news or rational thinking.
I'd missed Coyne's attacks on James A. Shapiro earlier this year until I happened on it when recently dipping into the crazy soup that his blog is. You can judge for yourself it's accuracy but you should read what Shapiro actually said and his response to Coyne's out of control attacks. As with so much of what Coyne writes when he's free to say just what he thinks, Shapiro gives him about as much of a benefit of the doubt as is possible when he says:
Jerry, I think you need to do better next time. Please address my real arguments, not your own mischaracterizations.
But the problem with blogging, as can be seen in Coyne's comment threads, is that a blogger like Coyne doesn't appeal to a wider group that will provide an honest review and come up with something less biased, he appeals to his fellow ideologues, many of whom haven't got the slightest idea what the issues are. His blog, as so many "science blogs" use the social status of science to present ideological propaganda and attacks as a more reliable truth. Some others are as ideological but I'm not aware of any other widely read science blogger who more consistently misrepresents his adversaries in a way that makes me wonder at the emotional stability of the blogger.
I think it's time to ask if Jerry Coyne isn't just plain nuts. As his blog goes on, he reminds me ever more of Glenn Beck.
UPDATE: I withdraw the question, having looked around his blog the last couple of days, he's totally nuts. His fans don't care that he's raving. I'm aware that the standards of atheist thinking are as unconcerned with accuracy, rational coherence and fidelity to real life as that of your typical tea party oriented site. It is morbidly fascinating to me how many figures in science, popularly regarded as the high church of reason and sanity, are so obviously cracked.
Tuesday, June 19, 2012
Arnold Schoenberg: The Book of the Hanging Gardens
Text:Stefan George
Elizabeth Smith, soprano
Joseph Yungen, piano
One of the great advantages of the internet is that it is possible to listen to recordings of performances that won't be available commercially. The kind of purpose public radio used to serve but which it has abandoned. The sound isn't up to studio standards but it is still a valuable thing to hear artists at work. It's better than radio sound often is, as well.
Denying We Have Placed Ourselves On The Edge of Extinction: The Book of the Hanging Gardens
Alfred Brendel, that great pianist, once said that the reason Arnold Schoenberg's music was disliked wasn't that it was cold "musical mathematics", the most unoriginal of frequently parroted attempts at musical put downs*. Brendel said that Schoenberg's music was hated because it was some of the most intensely emotional music ever written. I recall he mentioned the mono-drama Erwartung and the early Three Pieces op.11 as examples. (I'd suggest YouTube if you aren't familiar with and want to try them) Anyone who is really familiar with those pieces of extremely condensed emotion expressed in ultra-saturated, chromatic melody and harmony would find his description of Schoenberg's music confirmed. It is some of the most emotionally intense music ever composed.
I've loved Schoenberg's music since the first time I heard the quintet arrangement of the First Chamber Symphony as a teenager. It grabbed me in the third measure and it has never let me go. The orchestral versions of it are even more intense.
The Book of the Hanging Gardens is a song cycle from around the same time. [ See post above ] I've been listening to it for decades and have played piano for some of the songs. I love the music very much for the same reasons I do every one of Schoenberg's published pieces. It is extremely beautiful, the production of a musical genius of the same order as Beethoven or Debussy. Milton Babbitt once said that fifty years after its composition, music was till trying to come up to it. The ensuing decades haven't done anything to resolve that situation. But it is not an easy work to love, being extremely disturbing. Disturbing in a way that so far surpasses a superficially unsettling, lesser experience that it's really inadequate to describe what I mean. It isn't merely in the sound or the words or the interplay of those, it is in the entire context of the work, its two creators and the context of all of them in the very real world of their creation. The rest of this post is an attempt to merely begin at a description of what I mean when I say that. Trying, as well, to give some, small description of the scope of Arnold Schoenberg's intellectual and artistic capacity, his position in intellectual and musical history and what the failure to listen to him tells us about us. There is no recent creative genius I'm aware of who was so engaged in external world and who consciously and, I would guess, unconsciously expressed that world in their art.
The poetry that Schoenberg set is by the very deeply ambiguous and often repulsive Stefan George*. There is no other possible description but that it is decadent. It always seems to be pulled between sublimity and an abyss of destructive self-indulgence. Schoenberg's music more surely is on the side of the sublime, though it openly chooses to involve itself in the amoral pit that the text plays on.
George was enough of a fascist that when the Nazis took over Goebbels offered him the leadership of the Academy of Arts. George refused. Some think his refusal was not based in moral clarity but in his being enough of an effete aristocrat that he disdained the vulgarity of the Nazis. He left Germany for Switzerland, not being able to tolerate the Nazis but not openly resisting them, dying within the year. He had associates and followers who were Jewish (though George was somewhat antisemetic), Nazis, anti-Nazi fascist (some of them were involved in a plot to kill Hitler).... He was also someone who was semi-openly gay even as the Nazis were beginning their oppression of gay people. He was nostalgic for the declining Germanic military aristocracy. I recall reading that he was attended by a Junker at his deathbed but am not sure if that's a myth or the truth.
Schoenberg's choice of poetry in many of his vocal works is extremely troubling or at least strange. His colleague and associate Eduard Stuermann talked about how the extreme decadence of the poetry of Pierrot Lunaire seemed to inspire him, even as Schoenberg expressed skepticism about using it ("We'll have nothing to do with that!"). In that case the choice of poetry was the choice of Albertine Zehme, who commissioned the piece so she could perform it but, despite his misgivings, Stuermann said that something in the decadent poetry inspired Schoenberg. He also pointed to his settings of George as another example. As anyone can hear, Schoenberg transformed such bizarre material into something that is emblematic of the intellectual climate and the disordered times. The premier of Pierrot was 1912, two years before the First World War demolished the world Schoenberg grew up in. He seems to have read the signs of the time and saw where they led.
I've repeatedly wondered why he would choose to set someone he must have known was as morally tainted as George. The best I've come up with is that he was expressing the intensely troubled moral ambiguity of the period he was living in. The absolute morality of traditional religion was considered passe in his circles and with it an absolute sense of morality. Much of philosophical writing during his life was the full and far from pure flowering of a brutal materialism that outright rejected morality in favor of a bloody interpretation of natural selection with individual, social and national expressions of its assumptions.
And that was only one of the many streams of thought current in the late 19th and the first half of the 20th century. Many of those were anything from morally ambiguous to amoral to reveling in the depravity in the wake of an asserted death of morality. As well there were the intersecting ambiguities of vision promoted by the pseudo-science of psychology as well as the alien, though far less ambiguous, findings of physics.**
Schoenberg lived in that milieu and he was certainly well aware of it. He was a thoroughly modern man of his times, extremely well cultured and yet not of the same world. And in Vienna from the late 19th century, through the first decades of the 20th century, the degenerating Austrian empire with its over-ripe to rotting brilliance, the First World War, the aftermath with the staggering inflation and material deprevation, the turn into fascism with the failure of impractical attempts at democracy and the League of Nations, and into the Nazi period and the Second world war, exile in the United States, the after war years and into the very beginning of the casual decadence of Southern California in the 1950s, Schoenberg's witness was almost incomprehensibly broad. Over all of that was the steady rise of scientific racism, antisemitism, racing to the horrible epoch of the Holocaust, something which endangered and impinged on him, interacting with choices he had made earlier in his life. Beginning as a somewhat secular Jew, Schoenberg converted to Catholicism in time to have history make that choice extremely troubling in far more than just its implications. He reconverted to Judaism in response to the Holocaust and wrote several of his greatest works as a direct result of facing the meaning of the history of the 1920s through the Second World War and its aftermath. For a composer who was dealing so intensely with life in the last years of the 19th century (Transfigured Night), experiencing the subsequent decades with a high degree of knowledge, intellectual and moral discernment, it is not any surprise that the musical language he expressed his experience in would become far more emotional as time went on. By the time he reaches clarity in his reconversion compositions, Schoenberg did more to express the first half of the 20th century than any artist in any medium. His music expresses more about the subsequent years, under serious consideration, than anyone else I'm familiar with. By comparison, few others can come away without seeming, in some way, less serious or even trivial. When he arrives at his final compositions there is a sense that he had made his final choice, he had committed to a moral vision if not a path in response to as clear a view of the alternative as aware humanity has ever had. The issues of moral choice that he faced, squarely, in his music, if not in life, are unfashionable, rejected as old fashioned and unscientific. That refusal to choose is a continuation of the same moral failure that led to the disasters of the 20th century.
To ignore Schoenberg's interpretation of his time, the view of an extremely cultured artist, dealing directly with the horrors and moral issues that are made more exigent from our refusal to learn from our recent past is an indictment of our current intellectual life. Refusing to hear an artist dealing directly with the dangers of leaning over and looking into the most profound abyss our species has created for our world in a way that is brave, unsparing and absolutely human, is an act of intellectual and moral cowardice. The failure of the alleged intellectual class to engage with it is a symptom of the failure of our intellectual elite. An intellectual class that remains indifferent to Arnold Schoenberg betrays its shallowness as certainly as any class that rejects the scientific or mathematical accomplishments of his time. Imagine if the intelligentsia of the 19th century had rejected Beethoven and you can see what it means. Considering Schoenberg's macrocosmic address of real life as it deals with issues of life and death, morality and depravity, that indifference is a manifestation of complete cowardice and self indulgence. It is a choice for what lies in the dead abyss, beyond the the garden terrace.
* I'm aware of a form of that charge going back to at least the late 18th century.
** I am writing another post about the intersection between these and moral reform with the far from untroubled results.
I've loved Schoenberg's music since the first time I heard the quintet arrangement of the First Chamber Symphony as a teenager. It grabbed me in the third measure and it has never let me go. The orchestral versions of it are even more intense.
The Book of the Hanging Gardens is a song cycle from around the same time. [ See post above ] I've been listening to it for decades and have played piano for some of the songs. I love the music very much for the same reasons I do every one of Schoenberg's published pieces. It is extremely beautiful, the production of a musical genius of the same order as Beethoven or Debussy. Milton Babbitt once said that fifty years after its composition, music was till trying to come up to it. The ensuing decades haven't done anything to resolve that situation. But it is not an easy work to love, being extremely disturbing. Disturbing in a way that so far surpasses a superficially unsettling, lesser experience that it's really inadequate to describe what I mean. It isn't merely in the sound or the words or the interplay of those, it is in the entire context of the work, its two creators and the context of all of them in the very real world of their creation. The rest of this post is an attempt to merely begin at a description of what I mean when I say that. Trying, as well, to give some, small description of the scope of Arnold Schoenberg's intellectual and artistic capacity, his position in intellectual and musical history and what the failure to listen to him tells us about us. There is no recent creative genius I'm aware of who was so engaged in external world and who consciously and, I would guess, unconsciously expressed that world in their art.
The poetry that Schoenberg set is by the very deeply ambiguous and often repulsive Stefan George*. There is no other possible description but that it is decadent. It always seems to be pulled between sublimity and an abyss of destructive self-indulgence. Schoenberg's music more surely is on the side of the sublime, though it openly chooses to involve itself in the amoral pit that the text plays on.
George was enough of a fascist that when the Nazis took over Goebbels offered him the leadership of the Academy of Arts. George refused. Some think his refusal was not based in moral clarity but in his being enough of an effete aristocrat that he disdained the vulgarity of the Nazis. He left Germany for Switzerland, not being able to tolerate the Nazis but not openly resisting them, dying within the year. He had associates and followers who were Jewish (though George was somewhat antisemetic), Nazis, anti-Nazi fascist (some of them were involved in a plot to kill Hitler).... He was also someone who was semi-openly gay even as the Nazis were beginning their oppression of gay people. He was nostalgic for the declining Germanic military aristocracy. I recall reading that he was attended by a Junker at his deathbed but am not sure if that's a myth or the truth.
Schoenberg's choice of poetry in many of his vocal works is extremely troubling or at least strange. His colleague and associate Eduard Stuermann talked about how the extreme decadence of the poetry of Pierrot Lunaire seemed to inspire him, even as Schoenberg expressed skepticism about using it ("We'll have nothing to do with that!"). In that case the choice of poetry was the choice of Albertine Zehme, who commissioned the piece so she could perform it but, despite his misgivings, Stuermann said that something in the decadent poetry inspired Schoenberg. He also pointed to his settings of George as another example. As anyone can hear, Schoenberg transformed such bizarre material into something that is emblematic of the intellectual climate and the disordered times. The premier of Pierrot was 1912, two years before the First World War demolished the world Schoenberg grew up in. He seems to have read the signs of the time and saw where they led.
I've repeatedly wondered why he would choose to set someone he must have known was as morally tainted as George. The best I've come up with is that he was expressing the intensely troubled moral ambiguity of the period he was living in. The absolute morality of traditional religion was considered passe in his circles and with it an absolute sense of morality. Much of philosophical writing during his life was the full and far from pure flowering of a brutal materialism that outright rejected morality in favor of a bloody interpretation of natural selection with individual, social and national expressions of its assumptions.
And that was only one of the many streams of thought current in the late 19th and the first half of the 20th century. Many of those were anything from morally ambiguous to amoral to reveling in the depravity in the wake of an asserted death of morality. As well there were the intersecting ambiguities of vision promoted by the pseudo-science of psychology as well as the alien, though far less ambiguous, findings of physics.**
Schoenberg lived in that milieu and he was certainly well aware of it. He was a thoroughly modern man of his times, extremely well cultured and yet not of the same world. And in Vienna from the late 19th century, through the first decades of the 20th century, the degenerating Austrian empire with its over-ripe to rotting brilliance, the First World War, the aftermath with the staggering inflation and material deprevation, the turn into fascism with the failure of impractical attempts at democracy and the League of Nations, and into the Nazi period and the Second world war, exile in the United States, the after war years and into the very beginning of the casual decadence of Southern California in the 1950s, Schoenberg's witness was almost incomprehensibly broad. Over all of that was the steady rise of scientific racism, antisemitism, racing to the horrible epoch of the Holocaust, something which endangered and impinged on him, interacting with choices he had made earlier in his life. Beginning as a somewhat secular Jew, Schoenberg converted to Catholicism in time to have history make that choice extremely troubling in far more than just its implications. He reconverted to Judaism in response to the Holocaust and wrote several of his greatest works as a direct result of facing the meaning of the history of the 1920s through the Second World War and its aftermath. For a composer who was dealing so intensely with life in the last years of the 19th century (Transfigured Night), experiencing the subsequent decades with a high degree of knowledge, intellectual and moral discernment, it is not any surprise that the musical language he expressed his experience in would become far more emotional as time went on. By the time he reaches clarity in his reconversion compositions, Schoenberg did more to express the first half of the 20th century than any artist in any medium. His music expresses more about the subsequent years, under serious consideration, than anyone else I'm familiar with. By comparison, few others can come away without seeming, in some way, less serious or even trivial. When he arrives at his final compositions there is a sense that he had made his final choice, he had committed to a moral vision if not a path in response to as clear a view of the alternative as aware humanity has ever had. The issues of moral choice that he faced, squarely, in his music, if not in life, are unfashionable, rejected as old fashioned and unscientific. That refusal to choose is a continuation of the same moral failure that led to the disasters of the 20th century.
To ignore Schoenberg's interpretation of his time, the view of an extremely cultured artist, dealing directly with the horrors and moral issues that are made more exigent from our refusal to learn from our recent past is an indictment of our current intellectual life. Refusing to hear an artist dealing directly with the dangers of leaning over and looking into the most profound abyss our species has created for our world in a way that is brave, unsparing and absolutely human, is an act of intellectual and moral cowardice. The failure of the alleged intellectual class to engage with it is a symptom of the failure of our intellectual elite. An intellectual class that remains indifferent to Arnold Schoenberg betrays its shallowness as certainly as any class that rejects the scientific or mathematical accomplishments of his time. Imagine if the intelligentsia of the 19th century had rejected Beethoven and you can see what it means. Considering Schoenberg's macrocosmic address of real life as it deals with issues of life and death, morality and depravity, that indifference is a manifestation of complete cowardice and self indulgence. It is a choice for what lies in the dead abyss, beyond the the garden terrace.
* I'm aware of a form of that charge going back to at least the late 18th century.
** I am writing another post about the intersection between these and moral reform with the far from untroubled results.
Monday, June 18, 2012
EschaDone: On The Natural Mortality of Human Institutions
I used to be a regular commentator at Eschaton Blog, having gone through two pseudonyms there, EPT and, then, olvlzl, before posting under my name. I never hid that all were one and the same . I got to Eschaton not long after it started from the legendary Media Whores Online . MWO is still my idea of what a lefty political blog should be, Atrios, the owner of Eschaton, was also a regular at MWO and was rumored to have been something of a protegee of the mysterious owner, "The Horse".
Atrios often wrote quite cogently on economic topics - his professional training is in economics - and infrastructure as well as politics. I certainly didn't agree with everything he said, Atrios' orientation is more what I've come to think of as liberalish-libertarian than genuinely liberal or leftist but I think his heart is mostly in the right place. The comment threads have always been notorious as an off-topic free for all. Which is often too bad as Atrios is competent in his area of expertise and those posts are worth reading Sadly, he seldom writes them anymore.
The place being the chaotic bar room it was in those years was far from all bad. I learned a lot from the links, the citations, the discussions and the fights. It was extremely stimulating and productive as well as entertaining. I remember talking with another former regular about how we'd used the discussion at Eschaton to test arguments.
Anyway, from the golden age of Eschaton when clunky Haloscan treads used to regularly go into the high hundreds of comments, often going over a thousand, things have gradually dwindled down to a small, hard core of regulars who form a sort of in-crowd. Most of the former regulars have left over the years, some of them once mainstays of the commenting community. Many of the drop outs were people who provided the most interesting content on the blog. They weren't often replaced by new regulars. I saw only one name that wasn't familiar to me on my last fortnight of giving it another try. Some of those who remain are rather nice people who have something interesting to say. But, increasingly, the comments are dominated by a core intent on imposing their eternal high school level clique domination and speech code on it and people who seem to be willing to tolerate that. Last week there was one relatively recent addition who was rather brutally attacked by the dominant clique on a minor lapse of their imposed decorum. I haven't seen him there in the several lurkings that I've done as research for this post the last few days. No idea if he's gone for good but it was ugly.
You might guess from two of my recent posts, I've clashed with the dominant clique. More and more, in the past years to the point where I'd several times taken a voluntary leave of it, once for most of a year. On the Eschaton comment threads it is practically de rigueur to be anti-religious, especially anti-Catholic, irrationally absolutist in a number of issues and to maintain the attitude of a, frankly, assholish 12-year-old boy about most areas capable of being considered "transgressive". You are not to critisize icons of pop culture, especially those considered very naughty. At the same time there is a very distinct form of class snobbery that is part of the mix. Ivy League schools and many other, hardly progressive, entities are also not to be dissed. Anything that carries the name of "science", even the most obviously bogus and anti-liberal ideas of ideology posing as science, is held as far more sacrosanct than most practicing Catholics I know require their religion to be held in. What was interesting about my stepping over a line last week that has gotten me banned for the second time this year - I'd earlier the same day said that I was going to drop out again - was, apparently, my transgressing against the mandatory respect for the Rolling Stones and Penn Jillette's boring one-dirty-joke movie, The Aristocrats. I admit that I tried to kick up something like the old excitement in those and it's just not there anymore. It's gone.
I suspect that there is something like a natural life span for human institutions and ten years for any blog is probably as long as you should expect it to last. I'd lasted longer at Eschaton than I have at other blogs out of affection for a number of the regulars. But anyone who will stand up to the kewl kids who sit on the school house steps seems to have already left. This last time wasn't interesting or entertaining, despite a few occasions to have some minor fun. It's over. It's done. There's not even any reason to lurk. It's gone from being a rowdy adult forum for free thought to exactly that, the clique domination of high school. Maybe that's what happens when a popular blog gets old. Can it be avoided? I don't know, apparently Atrios is OK with things as they've developed and it's his blog. There are lots of others out there.
Perhaps The Horse was wise to go out on top. One thing I learned at Eschaton a long time ago was the phrase "jumped the shark".
Atrios often wrote quite cogently on economic topics - his professional training is in economics - and infrastructure as well as politics. I certainly didn't agree with everything he said, Atrios' orientation is more what I've come to think of as liberalish-libertarian than genuinely liberal or leftist but I think his heart is mostly in the right place. The comment threads have always been notorious as an off-topic free for all. Which is often too bad as Atrios is competent in his area of expertise and those posts are worth reading Sadly, he seldom writes them anymore.
The place being the chaotic bar room it was in those years was far from all bad. I learned a lot from the links, the citations, the discussions and the fights. It was extremely stimulating and productive as well as entertaining. I remember talking with another former regular about how we'd used the discussion at Eschaton to test arguments.
Anyway, from the golden age of Eschaton when clunky Haloscan treads used to regularly go into the high hundreds of comments, often going over a thousand, things have gradually dwindled down to a small, hard core of regulars who form a sort of in-crowd. Most of the former regulars have left over the years, some of them once mainstays of the commenting community. Many of the drop outs were people who provided the most interesting content on the blog. They weren't often replaced by new regulars. I saw only one name that wasn't familiar to me on my last fortnight of giving it another try. Some of those who remain are rather nice people who have something interesting to say. But, increasingly, the comments are dominated by a core intent on imposing their eternal high school level clique domination and speech code on it and people who seem to be willing to tolerate that. Last week there was one relatively recent addition who was rather brutally attacked by the dominant clique on a minor lapse of their imposed decorum. I haven't seen him there in the several lurkings that I've done as research for this post the last few days. No idea if he's gone for good but it was ugly.
You might guess from two of my recent posts, I've clashed with the dominant clique. More and more, in the past years to the point where I'd several times taken a voluntary leave of it, once for most of a year. On the Eschaton comment threads it is practically de rigueur to be anti-religious, especially anti-Catholic, irrationally absolutist in a number of issues and to maintain the attitude of a, frankly, assholish 12-year-old boy about most areas capable of being considered "transgressive". You are not to critisize icons of pop culture, especially those considered very naughty. At the same time there is a very distinct form of class snobbery that is part of the mix. Ivy League schools and many other, hardly progressive, entities are also not to be dissed. Anything that carries the name of "science", even the most obviously bogus and anti-liberal ideas of ideology posing as science, is held as far more sacrosanct than most practicing Catholics I know require their religion to be held in. What was interesting about my stepping over a line last week that has gotten me banned for the second time this year - I'd earlier the same day said that I was going to drop out again - was, apparently, my transgressing against the mandatory respect for the Rolling Stones and Penn Jillette's boring one-dirty-joke movie, The Aristocrats. I admit that I tried to kick up something like the old excitement in those and it's just not there anymore. It's gone.
I suspect that there is something like a natural life span for human institutions and ten years for any blog is probably as long as you should expect it to last. I'd lasted longer at Eschaton than I have at other blogs out of affection for a number of the regulars. But anyone who will stand up to the kewl kids who sit on the school house steps seems to have already left. This last time wasn't interesting or entertaining, despite a few occasions to have some minor fun. It's over. It's done. There's not even any reason to lurk. It's gone from being a rowdy adult forum for free thought to exactly that, the clique domination of high school. Maybe that's what happens when a popular blog gets old. Can it be avoided? I don't know, apparently Atrios is OK with things as they've developed and it's his blog. There are lots of others out there.
Perhaps The Horse was wise to go out on top. One thing I learned at Eschaton a long time ago was the phrase "jumped the shark".
Sunday, June 17, 2012
Atheist Organizations and Tax Deductions
Don't know why it didn't occur to me before this morning while reading about the gazillionth atheist whine about donations to religious organizations being tax deductible but I know for a fact that donations to the anti-religious:
American Humanists Association
Ayn Rand Institute
Ayn Rand Institute
Center for Inquiry
Committee for Skeptical Inquiry (I ususally write "Skeptical" in quotes in this case)
James Randi Educational Foundation (same for "Educational")
Council for Secular Humanism
Freedom From Religion Foundation
International Institute for Humanistic Studies
etc.
Council for Secular Humanism
Freedom From Religion Foundation
International Institute for Humanistic Studies
etc.
.... are tax deductible.
How many of them are directly involved in care of the sick, feeding the poor, clothing the naked or other legitimate reasons for tax deductible status?
You care to add to the list of atheist and anti-religious organizations that have "tax-deductible" status?
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