Sofia Gubaidulina : Chaconne

Sofia Gubaidulina De profundis Sergey Naiko

This is not your Grandfather's accordion, it is among the most profound compositions of the past fifty years played with the highest level of artistry.   Sofia Gubaidulina is, beyond doubt, one of the best living composers.  She makes almost all of the more famous, would be avant guard look like the fiddling adolescents they are.

Roussel Le Festin de L'araignee

Sofia Gubdaiulina - Musical Toys

Clint for Mitt, Big Surprise?

It's always funny to read the shock on liberalish blogs when some reactionary pop-culture figure turns out to be something other than wonderful.   But in a lot of cases it's someone with a relatively short track record. The surprise in some quarters that Clint Eastwood supports a Republican jillionaire on the basis of his proposed tax policy -  that would benefit Eastwood  - is hilarious in its cluelessness.    Eastwood is a paleo-conservative who ran for mayor of Carmel as a Republican because he wanted to get by zoning regulations.   It was all about Clint, that's his conception of politics.  The man is an ego wrapped up in some of the worst of psycho-macho fantasies with a high component of paranoia whenever those are threatened.  He's Dirty Harry, the High Plains Drifter, John McBurney, and Dave.  

The Eastwood personality has been on full display for decades.   There is no surprise to be had in this.   It would be a good thing if liberals could grow up and stop being star struck.   Pop culture is largely, I'd say almost entirely, a corporate propaganda machine, it has little to offer the struggle for change.  It's about the status quo, it's not about challenging it, it's all about making money and the status quo has got that.

Roussel's Strangely Neglected 1st Symphony. The Poem of the Forest

Absolutely beautiful music.

Roussel: Duo for Bassoon and Double Bass

Albert Roussel - Désiré N'Nkaoua (2006) - Rustiques, op 5

Roussel - Résurrection, Op. 4 (Symphonic Prelude after Tolstoy)

Lazare-Lévy plays Roussel, Suite op.14 (3rd mvt)

And now, for something quite a bit different, the fine and relatively seldom played Albert Roussel played by the extremely fine, little known, French Pianist Lazare Lévy.

Max Reger, from " Fünf Humoresken" op 20 No 5 (Max Reger, piano) played 1905

On Nova and Brian Greene

I hadn't watched Nova on PBS since before analog TV died and so  hadn't seen Brain Greene's stuff.   Visiting a relative and seeing the program about quantum entanglement was really disappointing.   Personality driven science shows are for cabloid TV, not PBS.   If anything he's more annoying than Neil deGrasse Tyson in that department.  

Not tempted to buy TV again,  I don't miss it at all.

Sigfrid Karg-Elert Totentanz

Another wonderful display of volume control and skilled use of stops.

Sigfrid Karg-Elert: Vorüber für Kunstharmonium

Sigfrid Karg-Elert, more than any of the other composers posted here this week,  devoted himself to the possibilities of the harmonium as it developed into its most massive forms, the "Art Harmoniums".  He clearly  was attracted by the possibilities of volume control and  Balázs Szabó does an amazing job of bringing that out in this performance.  There are clear influences of late romantic German composers as well as Debussy in his music.    He's another of those composers whose music could do with a revival, it was far from trivial.

Georges Bizet : Ronde Turque

As far as can be gathered from my far from perfect reading of the Italian,  this piece is played on a harmonium that also was a celeste.   The large array of stops shown on the video gives some idea of how the reed organ in the late 19th and early 20th century seems to have been a predecessor of the synthesizer,  giving the player a large number of sounds to work, or play, within a package that could be moved  around and which fit in the home.   Maybe that has something to do with why it declined as the focus of serious composers as much as the changing aesthetics of the time.  Maybe it became too much of a good thing?   Later today I'll post a piece from a composer who did more with those possibilities than just about any other composer who wrote for harmonium.

These and many of the other pieces I'm posting this week are available in the IMSLP music library online.

Georges Bizet Caprice

Arthur Bird: Adagio

This is from the You Tube channel of musicman7nc, whose obvious expertise in the reed organ and harmonium extends to playing the music written for it quite well.  He is quite skilled in the of the use of the pedals to vary wind supply as a means of expression.

César Franck- Prélude,Fugue et Variation Op.18 Harmonium & Piano

A very rarely heard transcription that Franck made of his op.18 piece for organ.   The harmonium gives the piece an intimate and sad feeling that the organ solo doesn't.   The piano from Franck's own time adds a feeling of fragility.   Quite beautiful.   Got no idea what the temple has to do with it.

Arthur Bird : Improvisato

July 23 is Arthur Bird's birthday

Arthur Bird : Auf Dem Lande

Arthur Bird (1856-1920) is a composer I'd know from a single hearing of a piece for wind ensemble about thirty years ago.   It made enough of an impression on me that I'd periodically looked for sheet music of his work and had looked up the scant information available on his life.   Thanks to YouTube you can now hear more of his work.   Bird was an expert contrapuntal composer of high romantic music with a distinctive voice.   One of the reasons he's available on YouTube is that he was one of a small number of composers who wrote serious art music for the harmonium.   Here is a piece played by Artis Wodehouse on the exact model of Mason and Hamlin he wrote it for.  

You can read the music for this piece and several others I will be posting here.